![]() ![]() Link to LinkedIn Page Displays the LinkedIn logo and links to the page.Link to YouTube Page Displays the YouTube logo and links to the page.Link to Twitter Page Displays the Twitter logo and links to the page.Link to Facebook Page Displays the Facebook logo and links to the page.After all, what more could you need besides music, the beach and a bottle of Corona Extra? but, as he puts on a record by Amanaz and "Easy Street" begins playing from the device, sometimes it's equally important to make it easy. Marketing Stack Integrations and Multi-Touch Attributionįlipping through his vinyl collection on his surprisingly elaborate record player set up given the beachy location, Snoop Dogg offers some wisdom by reflecting that sometimes you take it easy.Real-Time Ad Measurement Across Linear and CTV.There's a Better Way to Measure TV & Streaming Ad ROI ![]() Spend □ TV Impressions □ National Impressions □ Local Impressions □ It has become what is most likely the first branded tune to be nominated for a Grammy Award.Comments Unlock These Ad Metrics Now National Airings □ First Airing □ Last Airing □ Creatives □ Recently Aired On □ Est. Last year, a marketing agency commissioned KRS-One, Nas and Kanye West to record a song, the Rick Rubin-produced “Better Than I’ve Ever Been,” to commemorate the 25th anniversary of the Air Force One sneaker. This past year alone, the perception of the brand in the musical equation has stuck a chord with consumers akimbo: the Eagles/Wal-Mart, Starbucks/Paul McCartney, Rihanna/CoverGirl, Apple/Feist, Disney/Disney, “American Idol”/”American Idol,” Bob Dylan/Cadillac, John Mellencamp/Chevy, etc., etc., etc. The brands became cool(er), selling out became selling in, brand alliance companies popped up out of nowhere, record companies became “media” companies. the purveyor of the playlist, the idolater of iTunes, the search engine-ear - became a real player in the music industry and a practitioner of what some have called the new A&R. Soon TV shows embraced the licensing world, and the music supervisor - a.k.a. A licensing frenzy ensued.Īt first it was big blockbuster songs, then it was little teenie-weenie ones - indie artists found an outlet for their music and thus, a chance to pay some bills. With the rise of cable TV, videogaming and the Web, advertisers learned they could also bust through the clutter and competition, and connect with their target audience with familiar songs. Forty years ago, “Easy Rider,” followed by a string of Martin Scorsese flicks, used the emotion and associative power of familiar rock songs to resonate with young audiences. Huron’s research also showed that “listeners are sometimes known to display evasive behavior in an effort to prevent being seeded by a melody they know will persist mentally long after the actual sound disappears” - begging the question to the brands: Did you have to let it linger?Īdvertisers came to understand this point, taking a lesson from cool films. Despite the largely visual orientation of human beings, photographs and visual images do not infect human consciousness to the same extent that melodies do.”įor years and years, advertisers relied on the jingle to service this reasonably scientific tenet to great effect: “Plop Plop, Fizz, Fizz,” “Rice-a-Roni, the San Francisco Treat,” “I wish I were an Oscar Meyer Weiner.” The creators of the jingle were proficient sonic persuaders, adulators of the hook, master “mnemonicists,” sonic signatories and dedicated disciples of Pavlov. In 1989, cognitive music expert David Huron, a professor at Ohio State, clarified music’s brand potency: “It is one of the peculiarities of human audition and cognition that music tends to linger in the listener’s mind. Kelly wasn’t the first to consider connections between advertising and music, of course. He was right - can you say U2/Apple iPod, Jay-Z/Bud Select and Rihanna/CoverGirl? NEW YORK (Billboard) - In 2002, Wired magazine cultural guru Kevin Kelly boldly forecast that “the most popular band in the world (will) produce very good ‘jingles,’ just as some of the best directors today produce only very good commercials.”
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